Massiel

María de los Ángeles Felisa Santamaría Espinosa (born 2 August 1947), known professionally as Massiel (pronounced [maˈsjel]), is a Spanish pop and protest singer. She won the Eurovision Song Contest 1968 with the song "La, la, la", being the first performer from Spain to ever win the contest.

She released her first recordings in 1966. She decided to abandon her music career in 1996, but released another album a year later and a further one in 2007, along with two new editions of 1970s albums.

Massiel was born in Madrid, Spain. Her Asturian father, Emilio Santamaría Martín, was an artistic manager, so she was around singers and groups from her earliest childhood, and at a young age she decided to become a singer, actress, and songwriter. Her Asturian mother was Concepción Espinosa Peñas (1920–2011).

She released her first recordings in 1966: "Di que no", "No sé porqué", "Llueve", "No comprendo", "Y sabes qué vi", "Rufo el pescador", "Aleluya", and "Él era mi amigo. The song "Rosas en el mar", written by her friend Luis Eduardo Aute in 1967, established her as a singer in Spain and Latin America. In 1967, she acted in the film Vestida de novia.

On 25 March 1968, Joan Manuel Serrat, the Spanish representative in the Eurovision Song Contest 1968, was removed after recording, releasing, and promoting the song "La, la, la" –written by Manuel de la Calva and Ramón Arcusa, the members of Dúo Dinámico–, for his demand to sing it in Catalan in the contest. Therefore, Massiel, who was on tour in Mexico, was brought in as a late replacement. In just a few days, she had to rush back to Spain, learn the song, record it in several languages –Spanish, English, French, and German–, travel to several European cities for promotion, and go to London for the contest rehearsals. On 6 April 1968, she performed "La, la, la" in the Eurovision Song Contest held at the Royal Albert Hall winning the competition beating the favorite, "Congratulations" by Cliff Richard, by just one point. She became the first performer from Spain to ever win the contest.

In 1969, Massiel appeared in the film Cantando a la Vida, which profiled a winner of a European song festival suddenly disappearing. Massiel had the lead role of María and also sang the entire soundtrack to the film. Some years later, she performed dramatic roles in theatrical productions like A los hombres futuros, yo Bertolt Brecht (1972), Corridos de la revolución: Mexico 1910 (1976) and Antonio y Cleopatra in 1980.

From 1966 to 1998, Massiel recorded songs of different genres for five record companies: Zafiro, PolyGram, Hispavox, Bat Discos, and Emasstor. Her discography includes around fifty records released as EPs, singles, LPs, CDs, and compilations. In 1997 she released a Spanish album called Baladas y canciones de Bertolt Brecht. Massiel returned in 1981 with a brand-new sound and a new record label, Hispavox. Her label début, Tiempos Dificiles, was a major comeback in Spain where songs like "El Amor", "Hello America" and covers of Mexican songs "Eres" –written by José María Napoleón– and "El Noa Noa" –written by Juan Gabriel– not only exposed Mexican talent in Spain but were very popular for the singer. Massiel would finish her pop comeback in 1983 with her career-defining record, Corazon de hierro. Not only was this album successful in her native country, but it was also her reconciliation with Latin America. The song "Brindaremos por él" was a massive hit worldwide and topped the charts in many countries.