Victor Hugo

Victor-Marie Hugo, vicomte Hugo (French: [viktɔʁ maʁi yɡo] ; 26 February 1802 – 22 May 1885) was a French Romantic author, poet, essayist, playwright, journalist, human rights activist and politician.

His most famous works are the novels The Hunchback of Notre-Dame (1831) and Les Misérables (1862). In France, Hugo is renowned for his poetry collections, such as Les Contemplations and La Légende des siècles (The Legend of the Ages). Hugo was at the forefront of the Romantic literary movement with his play Cromwell and drama Hernani. His works have inspired music, both during his lifetime and after his death, including the opera Rigoletto and the musicals Les Misérables and Notre-Dame de Paris. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment and slavery.

Although he was a committed royalist when young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism, serving in politics as both deputy and senator. His work touched upon most of the political and social issues and the artistic trends of his time. His opposition to absolutism, and his literary stature, established him as a national hero. Hugo died on 22 May 1885, aged 83. He was given a state funeral in the Panthéon of Paris, which was attended by over two million people, the largest in French history.

Victor-Marie Hugo was born on 26 February 1802 (7 Ventôse, year X of the Republic) in Besançon in Eastern France. He was the youngest son of Joseph Léopold Sigisbert Hugo, a general in the Napoleonic army, and Sophie Trébuchet. The couple had two other sons: Abel Joseph and Eugène. The Hugo family came from Nancy in Lorraine, where Hugo's grandfather was a wood merchant. Léopold enlisted in the army of Revolutionary France at fourteen. He was an atheist and an ardent supporter of the Republic. Hugo's mother Sophie was loyal to the deposed dynasty but would declare her children to be Protestants. They met in Châteaubriant in 1796 and married the following year.

Since Hugo's father was an officer in Napoleon's army, the family moved frequently from posting to posting. Léopold Hugo wrote to his son that he had been conceived on one of the highest peaks in the Vosges Mountains, on a journey from Lunéville to Besançon. "This elevated origin," he went on, "seems to have had effects on you so that your muse is now continually sublime." Hugo believed himself to have been conceived on 24 June 1801, which is the origin of Jean Valjean's prisoner number 24601.

In 1810, Hugo's father was made Count Hugo de Cogolludo y Sigüenza by then King of Spain Joseph Bonaparte, though it seems that the Spanish title was not legally recognized in France. Hugo later titled himself as a viscount, and it was as "Vicomte Victor Hugo" that he was appointed a peer of France on 13 April 1845.

Weary of the constant moving required by military life, Sophie separated temporarily from Léopold and settled in Paris in 1803 with her sons. There, she began seeing General Victor Fanneau de La Horie, Hugo's godfather, who had been a comrade of General Hugo's during the campaign in Vendee. In October 1807, the family rejoined Leopold, now Colonel Hugo, Governor of the province of Avellino. There, Hugo was taught mathematics by Giuseppe de Samuele Cagnazzi, elder brother of Italian scientist Luca de Samuele Cagnazzi. Sophie found out that Leopold had been living in secret with an Englishwoman called Catherine Thomas.

Soon, Hugo's father was called to Spain to fight the Peninsular War. Madame Hugo and her children were sent back to Paris in 1808, where they moved to an old convent, 12 Impasse des Feuillantines, an isolated mansion in a deserted quarter of the left bank of the Seine. Hiding in a chapel at the back of the garden was de La Horie, who had conspired to restore the Bourbons and been condemned to death a few years earlier. He became a mentor to Hugo and his brothers.

Hugo published his first novel (Hans of Iceland, 1823) the year following his marriage, and his second three years later (Bug-Jargal, 1826). Between 1829 and 1840, he published five more volumes of poetry: Les Orientales, 1829; Les Feuilles d'automne, 1831; Les Chants du crépuscule, 1835; Les Voix intérieures, 1837; and Les Rayons et les Ombres, 1840. This cemented his reputation as one of the greatest elegiac and lyric poets of his time.

Like many young writers of his generation, Hugo was profoundly influenced by François-René de Chateaubriand, the famous figure in the literary movement of Romanticism and France's pre-eminent literary figure during the early 19th century. In his youth, Hugo resolved to be "Chateaubriand or nothing", and his life would come to parallel that of his predecessor in many ways. Like Chateaubriand, Hugo furthered the cause of Romanticism, became involved in politics (though mostly as a champion of Republicanism), and was forced into exile due to his political stances. Along with Chateaubriand he attended the Coronation of Charles X in Reims in 1825.

The precocious passion and eloquence of Hugo's early work brought success and fame at an early age. His first collection of poetry (Odes et poésies diverses) was published in 1822 when he was only 20 years old and earned him a royal pension from Louis XVIII. Though the poems were admired for their spontaneous fervor and fluency, the collection that followed four years later in 1826 (Odes et Ballades) revealed Hugo to be a great poet, a natural master of lyric and creative song.

Victor Hugo's first mature work of fiction was published in February 1829 by Charles Gosselin without the author's name and reflected the acute social conscience that would infuse his later work. Le Dernier jour d'un condamné (The Last Day of a Condemned Man) would have a profound influence on later writers such as Albert Camus, Charles Dickens, and Fyodor Dostoyevsky. Claude Gueux, a documentary short story about a real-life murderer who had been executed in France, was published in 1834. Hugo himself later considered it to be a precursor to his great work on social injustice, Les Misérables.

Hugo became the figurehead of the Romantic literary movement with the plays Cromwell (1827) and Hernani (1830). Hernani announced the arrival of French romanticism: performed at the Comédie-Française, it was greeted with several nights of rioting as romantics and traditionalists clashed over the play's deliberate disregard for neo-classical rules. Hugo's popularity as a playwright grew with subsequent plays, such as Marion Delorme (1831), Le roi s'amuse (1832), and Ruy Blas (1838). Hugo's novel Notre-Dame de Paris (The Hunchback of Notre-Dame) was published in 1831 and quickly translated into other languages across Europe. One of the effects of the novel was to shame the City of Paris into restoring the much neglected Cathedral of Notre Dame, which was attracting thousands of tourists who had read the popular novel.

After three unsuccessful attempts, Hugo was finally elected to the Académie française in 1841, solidifying his position in the world of French arts and letters. A group of French academicians, particularly Étienne de Jouy, were fighting against the "romantic evolution" and had managed to delay Victor Hugo's election. Thereafter, he became increasingly involved in French politics.

On the nomination of King Louis Philippe I, Hugo entered the Upper Chamber of Parliament as a pair de France in 1845, where he spoke against the death penalty and social injustice, and in favour of freedom of the press and self-government for Poland.

In 1848, Hugo was elected to the National Assembly of the Second Republic as a conservative. In 1849, he broke with the conservatives when he gave a noted speech calling for the end of misery and poverty. Other speeches called for universal suffrage and free education for all children. Hugo's advocacy to abolish the death penalty was renowned internationally.

When Louis Napoleon (Napoleon III) seized complete power in 1851, establishing an anti-parliamentary constitution, Hugo openly declared him a traitor to France. He moved to Brussels, then Jersey, from which he was expelled for supporting L'Homme, a local newspaper that had published a letter to Queen Victoria by a French republican deemed treasonous. He finally settled with his family at Hauteville House in Saint Peter Port, Guernsey, where he would live in self-imposed exile from October 1855 until 1870.

While in self-exile, Hugo published his famous political pamphlets against Napoleon III, Napoléon le Petit and Histoire d'un crime. The pamphlets were banned in France but nonetheless had a strong impact there. He also composed or published some of his best work during his period in Guernsey, including Les Misérables and three widely praised collections of poetry (Les Châtiments, 1853; Les Contemplations, 1856; and La Légende des siècles, 1859).

Hugo's work frequently touched on slavery, notably while describing the fate of Thérnardier in Les Misérables:

The wretched moral character of Thénardier, the frustrated bourgeois, was hopeless; it was in America what it had been in Europe. Contact with a wicked man is sometimes enough to rot a good deed and cause something bad to come out of it. With Marius's money, Thénardier became a slave trader.

Like most of his contemporaries, Hugo justified colonialism in terms of a civilizing mission and putting an end to the slave trade on the Barbary coast. In a speech delivered on 18 May 1879, during a banquet to celebrate the abolition of slavery, in the presence of the French abolitionist writer and parliamentarian Victor Schœlcher, Hugo declared that the Mediterranean Sea formed a natural divide between "ultimate civilisation and... utter barbarism." Hugo declared that "God offers Africa to Europe. Take it" and "in the nineteenth century the white man made a man out of the black, in the twentieth century Europe will make a world out of Africa".

This might partly explain why, in spite of his deep interest and involvement in political matters, he remained silent on the Algerian issue. He knew about the atrocities committed by the French Army during the French conquest of Algeria as evidenced by his diary but he never denounced them publicly; however, in Les Misérables, Hugo wrote: "Algeria too harshly conquered, and, as in the case of India by the English, with more barbarism than civilization."

After coming in contact with Victor Schœlcher, a writer who fought for the abolition of slavery and French colonialism in the Caribbean, he started strongly campaigning against slavery. In a letter to American abolitionist Maria Weston Chapman, on 6 July 1851, Hugo wrote: "Slavery in the United States! It is the duty of this republic to set such a bad example no longer... The United States must renounce slavery, or they must renounce liberty." In 1859, he wrote a letter asking the United States government, for the sake of their own reputation in the future, to spare abolitionist John Brown's life, Hugo justified Brown's actions by these words: "Assuredly, if insurrection is ever a sacred duty, it must be when it is directed against Slavery." Hugo agreed to diffuse and sell one of his best known drawings, "Le Pendu", an homage to John Brown, so one could "keep alive in souls the memory of this liberator of our black brothers, of this heroic martyr John Brown, who died for Christ just as Christ.Only one slave on Earth is enough to dishonour the freedom of all men. So the abolition of slavery is, at this hour, the supreme goal of the thinkers.

As a novelist, diarist, and member of Parliament, Victor Hugo fought a lifelong battle for the abolition of the death penalty. The Last Day of a Condemned Man published in 1829 analyses the pangs of a man awaiting execution; several entries in Things Seen (Choses vues), the diary he kept between 1830 and 1885, convey his firm condemnation of what he regarded as a barbaric sentence; on 15 September 1848, seven months after the Revolution of 1848, he delivered a speech before the Assembly and concluded, "You have overthrown the throne. ... Now overthrow the scaffold." His influence was credited in the removal of the death penalty from the constitutions of Geneva, Portugal, and Colombia. He had also pleaded for Benito Juárez to spare the recently captured emperor Maximilian I of Mexico, but to no avail.

Although Napoleon III granted an amnesty to all political exiles in 1859, Hugo declined, as it meant he would have to curtail his criticisms of the government. It was only after Napoleon III fell from power and the Third Republic was proclaimed that Hugo finally returned to his homeland in 1870, where he was promptly elected to the National Assembly and the Senate.

He was in Paris during the siege by the Prussian Army in 1870, famously eating animals given to him by the Paris Zoo. As the siege continued, and food became ever more scarce, he wrote in his diary that he was reduced to "eating the unknown".

During the Paris Commune—the revolutionary government that took power on 18 March 1871 and was toppled on 28 May—Victor Hugo was harshly critical of the atrocities committed on both sides. On 9 April, he wrote in his diary, "In short, this Commune is as idiotic as the National Assembly is ferocious. From both sides, folly." Yet he made a point of offering his support to members of the Commune subjected to brutal repression. He had been in Brussels since 22 March 1871 when in the 27 May issue of the Belgian newspaper l'Indépendance Victor Hugo denounced the government's refusal to grant political asylum to the Communards threatened with imprisonment, banishment or execution. This caused so much uproar that in the evening a mob of fifty to sixty men attempted to force their way into the writer's house shouting, "Death to Victor Hugo! Hang him! Death to the scoundrel!"

Hugo, who said "A war between Europeans is a civil war," was a strong advocate for the creation of the United States of Europe. He expounded his views on the subject in a speech he delivered during the International Peace Congress which took place in Paris in 1849. Here he declared "nations of the continent, will, without losing your distinctive qualities and glorious individuality, be blended into a superior unity and constitute a European fraternity, just as Normandy, Brittany, Burgundy, Lorraine, have been blended into France", this new state would be administered by "a great Sovereign senate which will be to Europe what the Parliament is to England".

Because of his concern for the rights of artists and copyright, he was a founding member of the Association Littéraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works. However, in Pauvert's published archives, he states strongly that "any work of art has two authors: the people who confusingly feel something, a creator who translates these feelings, and the people again who consecrate his vision of that feeling. When one of the authors dies, the rights should totally be granted back to the other, the people." He was one of the earlier supporters of the concept of domaine public payant, under which a nominal fee would be charged for copying or performing works in the public domain, and this would go into a common fund dedicated to helping artists, especially young people.

Hugo's religious views changed radically over the course of his life. In his youth and under the influence of his mother, he identified as a Catholic and professed respect for Church hierarchy and authority. From there he became a non-practising Catholic and increasingly expressed anti-Catholic and anti-clerical views. He frequented spiritism during his exile (where he participated also in many séances conducted by Madame Delphine de Girardin) and in later years settled into a rationalist deism similar to that espoused by Voltaire. A census-taker asked Hugo in 1872 if he was a Catholic, and he replied, "No. A Freethinker."

After 1872, Hugo never lost his antipathy towards the Catholic Church. He felt the Church was indifferent to the plight of the working class under the oppression of the monarchy. Perhaps he also was upset by the frequency with which his work appeared on the Church's list of banned books. Hugo counted 740 attacks on Les Misérables in the Catholic press. When Hugo's sons Charles and François-Victor died, he insisted that they be buried without a crucifix or priest. In his will, he made the same stipulation about his own death and funeral.

Yet he believed in life after death and prayed every single morning and night, convinced as he wrote in The Man Who Laughs that "Thanksgiving has wings and flies to its right destination. Your prayer knows its way better than you do."

Hugo's rationalism can be found in poems such as Torquemada (1869, about religious fanaticism), The Pope (1878, anti-clerical), Religions and Religion (1880, denying the usefulness of churches) and, published posthumously, The End of Satan and God (1886 and 1891 respectively, in which he represents Christianity as a griffin and rationalism as an angel).

The Hunchback of Notre-Dame also garnered attention due to its portrayal of the abuse of power by the church, even getting listed as one of the "forbidden books" by it. In fact, earlier adaptations had to change the villain, Claude Frollo from being a priest to avoid backlash.

Although Hugo's many talents did not include exceptional musical ability, he nevertheless had a great impact on the music world through the inspiration that his works provided for composers of the 19th and 20th centuries. Hugo himself particularly enjoyed the music of Gluck, Mozart, Weber and Meyerbeer. In Les Misérables, he calls the huntsman's chorus in Weber's Euryanthe "perhaps the most beautiful piece of music ever composed". He also greatly admired Beethoven and, rather unusually for his time, appreciated works by composers from earlier centuries such as Palestrina and Monteverdi.

Two famous musicians of the 19th century were friends of Hugo: Hector Berlioz and Franz Liszt. The latter played Beethoven in Hugo's home, and Hugo joked in a letter to a friend that, thanks to Liszt's piano lessons, he learned how to play a favourite song on the piano – with only one finger.

When Hugo returned to Paris in 1870, the country hailed him as a national hero. He was confident that he would be offered the dictatorship, as shown by the notes he kept at the time: "Dictatorship is a crime. This is a crime I am going to commit," but he felt he had to assume that responsibility. Despite his popularity, Hugo lost his bid for re-election to the National Assembly in 1872.

Throughout his life Hugo kept believing in unstoppable humanistic progress. In his last public address on 3 August 1879 he prophesied, in an over-optimistic way, "In the twentieth century war will be dead, the scaffold will be dead, hatred will be dead, frontier boundaries will be dead, dogmas will be dead; man will live."

Within a brief period, he suffered a mild stroke, his daughter Adèle was interned in an insane asylum, and his two sons died. (Adèle's biography inspired the movie The Story of Adele H.) His wife Adèle had died in 1868.

His faithful mistress Juliette Drouet died in 1883, only two years before his own death.

Despite his personal loss, Hugo remained committed to the cause of political change. On 30 January 1876, he was elected to the newly created Senate. This last phase of his political career was considered a failure. Hugo was a maverick and achieved little in the Senate. He suffered a mild stroke on 27 June 1878. To honour the fact that he was entering his 80th year, he received one of the greatest tributes to a living writer ever held. The celebrations began on 25 June 1881, when Hugo was presented with a Sèvres vase, the traditional gift for sovereigns. On 27 June, one of the largest parades in French history was held.

Hugo produced more than 4,000 drawings, with about 3,000 drawings still in existence. Originally pursued as a casual hobby, drawing became more important to Hugo shortly before his exile when he made the decision to stop writing to devote himself to politics. Drawing became his exclusive creative outlet between 1848 and 1851.

Hugo worked only on paper, and on a small scale; usually in dark brown or black pen-and-ink wash, sometimes with touches of white, and rarely with colour.