Marguerite Duras

Marguerite Germaine Marie Donnadieu (French: [maʁɡ(ə)ʁit ʒɛʁmɛn maʁi dɔnadjø], 4 April 1914 – 3 March 1996), known as Marguerite Duras (French: [maʁɡ(ə)ʁit dyʁas]), was a French novelist, playwright, screenwriter, essayist, and experimental filmmaker. Her script for the film Hiroshima mon amour (1959) earned her a nomination for Best Original Screenplay at the Academy Awards.

Duras was born Marguerite Donnadieu on 4 April 1914, in Gia Định, Cochinchina, French Indochina (now Vietnam). Her parents, Marie (née Legrand, 1877–1956) and Henri Donnadieu (1872–1921), were teachers from France who likely had met at Gia Định High School. They both had previous marriages. Marguerite had two brothers: Pierre, the older, and the younger Paul.

Duras' father fell ill and he returned to France, where he died in 1921, when Duras was seven years old. Between 1922 and 1924, the family lived in France while her mother was on administrative leave. They then moved back to French Indochina when she was posted to Phnom Penh followed by Vĩnh Long and Sa Đéc. The family struggled financially, and her mother made a bad investment in an isolated property and area of rice farmland in Prey Nob, a story which was fictionalized in Un barrage contre le Pacifique (The Sea Wall).

In 1931, when she was 17, Duras and her family moved to France where she successfully passed the first part of the baccalaureate with the choice of Vietnamese as a foreign language, as she spoke it fluently. Duras returned to Saigon in late 1932 where her mother found a teaching post. There, Marguerite continued her education at the Lycée Chasseloup-Laubat and completed the second part of the baccalaureate, specializing in philosophy.

In autumn 1933, Duras moved to Paris, graduating with a degree in public law in 1936. At the same time, she took classes in mathematics. She continued her education, earning a diplôme d'études supérieures (DES) in public law and, later, in political economy. After finishing her studies in 1937, she found employment with the French government at the Ministry of the Colonies. In 1939, she married the writer Robert Antelme, whom she had met during her studies.

During World War II, from 1942 to 1944, Duras worked for the Vichy government in an office that allocated paper quotas to publishers and in the process operated a de facto book-censorship system. She then became an active member of the PCF (the French Communist Party) and a member of the French Resistance as a part of a small group that also included François Mitterrand, who later became President of France and remained a lifelong friend of hers. Duras' husband, Antelme, was deported to Buchenwald in 1944 for his involvement in the Resistance, and barely survived the experience (weighing on his release, according to Duras, just 38 kg, or 84 pounds). She nursed him back to health, but they divorced once he recovered.

Duras was the author of many novels, plays, films, interviews, essays, and works of short fiction, including her best-selling, highly fictionalized autobiographical work L'Amant (1984), translated into English as The Lover, which describes her youthful affair with a Chinese-Vietnamese man. It won the Prix Goncourt in 1984. The story of her adolescence also appears in three other books: The Sea Wall, Eden Cinema and The North China Lover. A film version of The Lover, produced by Claude Berri and directed by Jean-Jacques Annaud, was released in 1992. Duras's novel The Sea Wall was first adapted into the 1958 film This Angry Age by René Clément, and again in 2008 by Cambodian director Rithy Panh as The Sea Wall.

Other major works include Moderato Cantabile (1958), which was the basis of the 1960 film Seven Days... Seven Nights; Le Ravissement de Lol V. Stein (1964); and her play India Song, which Duras herself later directed as a film in 1975. She was also the screenwriter of the 1959 French film Hiroshima mon amour, which was directed by Alain Resnais. Duras's early novels were fairly conventional in form, and were criticized for their "romanticism" by fellow writer Raymond Queneau; however, with Moderato Cantabile, she became more experimental, paring down her texts to give ever-increasing importance to what was not said. She was associated with the nouveau roman French literary movement, although she did not belong definitively to any one group. She was noted for her command of dialogue.

In 1971, Duras signed the Manifesto of the 343, thereby publicly announcing that she had had an abortion.

According to literature and film scholars Madeleine Cottenet-Hage and Robert P. Kolker, Duras' provocative cinema between 1973 and 1983 was concerned with a single "ideal" image, at the same time both "an absolute vacant image and an absolute meaningful image," while also focused on the verbal text. They said her films purposely lacked realistic representation, such as divorcing image from sound and using space symbolically.

Many of her works, such as Le Ravissement de Lol V. Stein and L'Homme assis dans le couloir (1980), deal with human sexuality.

During the later stages of World War II, she endured separation from her husband, Robert Antelme, following his imprisonment in Buchenwald. It was during his captivity that she wrote La Douleur. Believing that fidelity was an absurd notion, Duras began an affair with writer Dionys Mascolo while still married to Antelme, creating a ménage à trois. He later fathered her son, Jean Mascolo.

Duras had a wide circle of influential friends, ranging from writers and artists to intellectuals and even criminals. Her friend, the psychoanalyst Jacques Lacan, once remarked, "Marguerite Duras turns out to know what I teach without me," in praise of her novel Le Ravissement de Lol V. Stein.

Samuel Beckett remembered the radio adaptation of Le Square as an "overwhelmingly moving" and significant moment in his life when he first heard it in 1957.

The 2021 French mini-series Une affaire française (aka A French Case) depicts Duras (played by a chain-smoking Dominique Blanc) in a damning light, as she insinuates herself into the investigation of a 1984 child murder case by accusing the mother of the crime.

The account by Yann Andréa of his relationship with Duras was brought to the screen in a 2022 Claire Simon film entitled Vous ne désirez que moi (a phrase directed at Andréa by Duras) with Swann Arlaud as Andréa and Emmanuelle Devos as journalist Michèle Manceaux, subsequently issued on DVD by Blaq Out.

Duras appears fictionalized in one of the stories of Fiona Sze-Lorrain's novel in stories Dear Chrysanthemums (Scribner, 2023).

1962: Prix de la Tribune de Paris for L'Après-midi de Monsieur Andesmas

1972: Official selection at Venice Film Festival for the film Nathalie Granger

1975: Prix de l'Association française des cinémas d'art et d'essai à Cannes for India Song

1976: Prix Jean-Cocteau for the film Des journées entières dans les arbres

1983: Grand prix du théâtre de l'Académie française