Gustave Doré

Paul Gustave Louis Christophe Doré (UK: DOR-ay, US: dor-AY; French: [ɡystav dɔʁe]; 6 January 1832 – 23 January 1883) was a French artist. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.

He created more than 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries.

Although Doré's work was popular with the general public during his life, it was met with mixed reviews from contemporary art critics. His work has been more widely celebrated in the centuries following his death. Among his admirers were writers H. P. Lovecraft and Théophile Gautier.

Doré was born in Strasbourg on 6 January 1832. At the age of 15, he began his career working as a caricaturist for the French paper Le journal pour rire. The illustrations of J. J. Grandville have been noted as an influence on his work. Wood-engraving was his primary method at this time. In the late 1840s and early 1850s, he made several text comics, like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851) and L'Histoire de la Sainte Russie (1854). Doré subsequently went on to win commissions to depict scenes from books by Cervantes, Rabelais, Balzac, Milton, and Dante.

In 1853, Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated Bible. In 1854, he illustrated Gargantua et Pantagruel. In 1856, he produced 12 folio-size illustrations of The Legend of The Wandering Jew, which propagated longstanding antisemitic views of the time, for a short poem which Pierre-Jean de Béranger had derived from a novel of Eugène Sue of 1845.

In the 1860s, he illustrated a French edition of Cervantes's Don Quixote, and his depictions of the knight and his squire, Sancho Panza, became so famous that they influenced subsequent readers, artists, and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's "The Raven", an endeavor that earned him 30,000 francs from publisher Harper & Brothers in 1883.

The government of France made him a Knight of the Legion of Honour in 1861.

Doré's illustrations for the Bible (1866) were a great success, and in 1867 he had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Bond Street, London. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson (published in three volumes from 1808 to 1810). Doré signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Doré was celebrated for his paintings in his day, but his wood-engravings, like those he did for Jerrold, are where he excelled as an artist with an individual vision.

Doré never married and, following the death of his father in 1849, he continued to live with his mother, illustrating books until his death of a heart attack in Paris on January 23, 1883, following a short illness. At the time of his death Doré was working on illustrations for an edition of Shakespeare's plays.

Doré was a prolific artist; thus the following list of works is not complete and it does not include his paintings, sculptures, and many of his journal illustrations:

Doré's work received mixed reviews from contemporary art critics, but he was widely acclaimed by the general public. He was adored by many writers and poets, who felt he "brought their wildest dreams and fantasies to life". Théophile Gautier for example stated "Nobody better than this artist can give a mysterious and deep vitality to chimeras, dreams, nightmares, intangible shapes bathed in light and shade, weirdly caricatured silhouettes and all the monsters of fantasy." H.P. Lovecraft drew inspiration from Doré's Rime of the Ancient Mariner illustrations in his formative years.