George Lucas

George Walton Lucas Jr. (born May 14, 1944) is an American filmmaker, philanthropist, and entrepreneur. He created the Star Wars franchise and its fictional universe, the Indiana Jones franchise, and founded Lucasfilm, LucasArts, Industrial Light & Magic, and THX. Lucas also served as chairman of Lucasfilm before selling it to The Walt Disney Company in 2012. The recipient of two Emmy Awards and nominations for four Academy Awards and two Golden Globe Awards, he is considered to be one of the most significant figures of the 20th-century New Hollywood movement, and a pioneer of the modern blockbuster. Despite this, he has remained an independent filmmaker for most of his career.

After graduating from the University of Southern California in 1967, Lucas moved to San Francisco and co-founded American Zoetrope with filmmaker Francis Ford Coppola. He wrote and directed THX 1138 (1971), based on his student short Electronic Labyrinth: THX 1138 4EB, which was a critical success but a financial failure. His next work as a writer-director was American Graffiti (1973), inspired by his youth in early 1960s Modesto, California, and produced through the newly founded Lucasfilm. The film was critically and commercially successful and received five Academy Award nominations, including Best Director and Best Picture. Lucas's next film, the epic space opera Star Wars (1977), later retitled A New Hope, had a troubled production but was a surprise hit, becoming the highest-grossing film at the time, winning six Academy Awards and sparking a cultural phenomenon. Lucas produced and co-wrote the sequels The Empire Strikes Back (1980) and Return of the Jedi (1983). With director Steven Spielberg, he created, produced, and co-wrote Indiana Jones films Raiders of the Lost Ark (1981), The Temple of Doom (1984), The Last Crusade (1989) and The Kingdom of the Crystal Skull (2008), and served as an executive producer, with a cursory involvement in pre- and post-production, on The Dial of Destiny (2023).

In 1997, Lucas re-released the original Star Wars trilogy as part of a Special Edition featuring several modifications; home media versions with further changes were released in 2004 and 2011. He returned to directing with a Star Wars prequel trilogy comprising The Phantom Menace (1999), Attack of the Clones (2002) and Revenge of the Sith (2005). He last collaborated on the CGI-animated movie and television series of the same name, Star Wars: The Clone Wars (2008–2014, 2020), the war film Red Tails (2012) and the jukebox musical fantasy CGI-animated film Strange Magic (2015). Lucas is also known for his collaboration with composer John Williams, who was recommended to him by Spielberg, and with whom he has worked for all films in the Star Wars and Indiana Jones franchises. He also produced and wrote a variety of films and television series through Lucasfilm between the 1970s and the 2010s.

Lucas is one of history's most financially successful filmmakers. He directed or wrote the story for ten of the 100 highest-grossing movies at the North American box office, adjusted for ticket-price inflation. Through his companies Industrial Light and Magic and Skywalker Sound, Lucas was involved in the production of, and financially benefited from, almost every big-budget film released in the U.S. from the late 1980s until selling to Disney in 2012. In addition to his career as a filmmaker, Lucas has founded and supported multiple philanthropic organizations and campaigns dedicated to education and the arts, including the George Lucas Educational Foundation, which has been noted as a key supporter in the creation of the federal E-Rate program to provide broadband funding to schools and libraries, and the Lucas Museum of Narrative Art, an art museum in Los Angeles developed with his wife, Mellody Hobson.

Lucas was born on May 14, 1944, in Modesto, California, a small agricultural city in the Central Valley. He is the son of Dorothy Ellinore Lucas (née Bomberger) and George Walton Lucas Sr., and is of German, Swiss German, English, Scottish, and distant Dutch and French descent. He grew up in Modesto, and his family attended Disneyland during its opening week in July 1955, and Lucas would remain enthusiastic about the park. He was interested in comics and science fiction, including television programs such as the Flash Gordon serials. Long before Lucas began making films, he yearned to be a racecar driver, and he spent most of his high school years racing on the underground circuit at fairgrounds and hanging out at garages. On June 12, 1962, a few days before his high school graduation, Lucas was driving his souped-up Autobianchi Bianchina when another driver broadsided him, flipping his car several times before it crashed into a tree; Lucas's seatbelt had snapped, ejecting him and thereby saving his life. However, his lungs were bruised from severe hemorrhaging and he required emergency medical treatment. This incident caused him to lose interest in racing as a career, but also inspired him to pursue his other interests.

Lucas's father owned a stationery store, and had wanted George to work for him when he turned 18. Lucas had been planning to go to art school, but his father said he would not pay for it. Lucas declared upon leaving home that he would be a millionaire by the age of 30. He attended Modesto Junior College, where he studied anthropology, sociology, and literature, amongst other subjects. He also began shooting with an 8 mm camera, including filming car races. At this time, Lucas became interested in Canyon Cinema: screenings of underground, avant-garde 16 mm film-makers like Jordan Belson, Stan Brakhage and Bruce Conner. Lucas and childhood friend John Plummer also saw classic European films of the time, including Jean-Luc Godard's Breathless, François Truffaut's Jules et Jim and Federico Fellini's 8½. "That's when George really started exploring," Plummer said. Through his interest in autocross racing, Lucas met renowned cinematographer Haskell Wexler, another race enthusiast. Wexler, later to work with Lucas on several occasions, was impressed by Lucas's talent. "George had a very good eye, and he thought visually," he recalled.

At Plummer's recommendation, Lucas then transferred to the University of Southern California (U.S.C.) School of Cinematic Arts. U.S.C. was one of the earliest universities to have a school devoted to motion picture film. During the years at U.S.C., Lucas shared a dorm room with Randal Kleiser. Along with classmates such as Walter Murch, Caleb Deschanel, Hal Barwood, John Milius and Matthew Robbins, they became a clique of film students known as The Dirty Dozen. He also became good friends with fellow acclaimed student film-maker and future Indiana Jones collaborator, Steven Spielberg and Martin Scorsese.

A group of friends, which included Chris Lewis and Don Glut, started the Clean Cut Cinema Club. Lucas, Kleiser and Lewis then formed a short-lived production company called Sunrise Productions with offices on Sunset Boulevard. There they would make up stage names for themselves, Lucas calling himself Lucas Beaumont. Their only project would be the never completed short "Five, Four, Three", a self-referential and self-deprecating mockumentary about the making of a satirical teen beach movie called "Orgy Beach Party".

Lucas was deeply influenced by the filmic expression course taught at the school by film-maker Lester Novros which concentrated on the non-narrative elements of film form like color, light, movement, space and time. Another inspiration was the Serbian montagist (and dean of the U.S.C. Film Department) Slavko Vorkapich, a film theoretician who made stunning montage sequences for Hollywood studio features at MGM, RKO, and Paramount. Vorkapich taught the autonomous nature of the cinematic art form, emphasizing the kinetic energy inherent in motion pictures.

Lucas saw many inspiring films in class, particularly the visual films coming out of the National Film Board of Canada like Arthur Lipsett's 21-87, cameraman Jean-Claude Labrecque's cinéma vérité 60 Cycles, the work of Norman McLaren and the documentaries of Claude Jutra. Lucas was enamored with pure cinema and quickly became prolific at making 16 mm nonstory noncharacter visual tone poems and cinéma vérité with such titles as Look at Life, Herbie, 1:42.08, The Emperor, Anyone Lived in a Pretty (how) Town, Filmmaker and 6-18-67. He was passionate and interested in cinematography and editing, defining himself as a film-maker as opposed to being a director, and he loved making abstract visual films that created emotions purely through nonnarrative structures.

In 1967, Lucas reenrolled as a U.S.C. graduate student in film production. He began working under movie and logo designer Saul Bass and film editor Verna Fields for the United States Information Agency, where he met his future wife Marcia Griffin. Working as an instructor for a class of U.S. Navy students who were being taught documentary cinematography, Lucas directed the short film Electronic Labyrinth: THX 1138 4EB, which won first prize at the 1967–68 National Student film festival. Lucas was awarded a student scholarship by Warner Bros. to observe and work on the making of a film of his choosing. The film he chose after finding the animation department closed down was Finian's Rainbow (1968) which was being directed by Francis Ford Coppola, who was revered among film school students of the time as a cinema graduate who had "made it" in Hollywood. In 1969, Lucas was one of the camera operators on the classic Rolling Stones concert film Gimme Shelter.

In 1969, Lucas moved back to the San Francisco Bay Area and co-founded the studio American Zoetrope with Coppola, hoping to create a liberating environment for film-makers to direct outside the perceived oppressive control of the Hollywood studio system. Coppola thought Lucas's Electronic Labyrinth could be adapted into his first full-length feature film, which was produced by American Zoetrope as THX 1138, but was not a success. Lucas then created his own company, Lucasfilm, Ltd., and directed the successful American Graffiti (1973).

Lucas then set his sights on adapting Flash Gordon, an adventure serial from his childhood that he fondly remembered. When he was unable to obtain the rights, he set out to write an original space adventure that would eventually become Star Wars. Despite his success with his previous film, all but one studio turned Star Wars down. It was only because Alan Ladd Jr. at 20th Century Fox liked American Graffiti that he forced through a production and distribution deal for the film, which ended up restoring Fox to financial stability after a number of flops. Star Wars was significantly influenced by samurai films of Akira Kurosawa, Spaghetti Westerns, as well as classic sword and sorcery fantasy stories.

Star Wars quickly became the highest-grossing film of all time, displaced five years later by Spielberg's E.T. the Extra-Terrestrial. After the success of American Graffiti and prior to the beginning of filming on Star Wars, Lucas was encouraged to renegotiate for a higher fee for writing and directing Star Wars than the US$150,000 agreed. He declined to do so, instead negotiating for advantage in some of the as-yet-unspecified parts of his contract with Fox, in particular, ownership of licensing and merchandising rights (for novelizations, clothing, toys, etc.) and contractual arrangements for sequels. Lucasfilm has earned hundreds of millions of dollars from licensed games, toys, and collectibles created for the franchise.

Lucas founded a film production company Lucasfilm in 1971, and incorporated as Lucasfilm Ltd. on September 12, 1977. In the mid-1970s, the company's offices were located on the Universal Studios Lot. Lucas founded the Star Wars Corporation, Inc. as a subsidiary to control various legal and financial aspects of Star Wars (1977), including copyright, and sequel and merchandising rights. It also produced the 1978 Star Wars Holiday Special for 20th Century Fox Television. That year, Lucas hired Los Angeles-based real-estate specialist Charles Weber to manage the company, telling him that he could keep the job as long as he made money. Lucas wanted the focus of the company to be making independent films, but the company gradually became enlarged from five employees to almost 100, increasing in middle management and running up costs. In 1980, after Weber asked Lucas for fifty million dollars to invest in other companies and suggested that they sell Skywalker Ranch to do so, Lucas fired Weber and had to let half of the Los Angeles staff go. By the same year, the corporate subsidiary had been discontinued and its business was absorbed into the various divisions of Lucasfilm.

Lucas founded Industrial Light & Magic in 1975, he wanted his 1977 film Star Wars to include visual effects that had never been seen on film before. After discovering that the in-house effects department at 20th Century Fox was no longer operational, Lucas approached Douglas Trumbull, best known for the effects on 2001: A Space Odyssey (1968) and Silent Running (1972). Trumbull declined as he was already committed to working on Steven Spielberg's film Close Encounters of the Third Kind (1977), but suggested his assistant John Dykstra to Lucas. Dykstra brought together a small team of college students, artists, and engineers and set them up in a warehouse in Van Nuys, California. After seeing the map for the location was zoned as light industrial, Lucas named the group Industrial Light and Magic, which became the Special Visual Effects department on Star Wars. Alongside Dykstra, other leading members of the original ILM team were Ken Ralston, Richard Edlund, Dennis Muren, Robert Blalack, Joe Johnston, Phil Tippett, Steve Gawley, Lorne Peterson and Paul Huston.

By June 2013, Lucas was considering establishing a museum, the Lucas Cultural Arts Museum, to be built on Crissy Field near the Golden Gate Bridge in San Francisco, which would display his collection of illustrations and pop art, with an estimated value of more than $1 billion. Lucas offered to pay the estimated $300 million cost of constructing the museum, and would endow it with $400 million when it opened, eventually adding an additional $400 million to its endowment. After being unable to reach an agreement with The Presidio Trust, Lucas turned to Chicago. A potential lakefront site on Museum Campus in Chicago was proposed in May 2014. By June 2014, Chicago had been selected, pending approval of the Chicago Plan Commission, which was granted. The museum project was renamed the Lucas Museum of Narrative Art. On June 24, 2016, Lucas announced that he was abandoning his plans to locate the museum in Chicago, due to a lawsuit by a local preservation group, Friends of the Parks, and would instead build the museum in California. On January 17, 2017, Lucas announced that an eleven-acre campus with green space and the museum's five-story 300,000 square foot building will be constructed over what was a parking lot in Exposition Park, Los Angeles, California. It was completed in 2026.

In July 2025, Lucas made his first ever appearance at San Diego Comic-Con, where he previewed the museum. At a panel, he showcased multiple pieces, including drawings from the original Iron Man comic, Indiana Jones concept art, Frida Kahlo paintings, and Peanuts sketches, that will be part of the museum's opening exhibits.

Lucas was also heavily involved and invested in the scoring process for the original Star Wars soundtrack, which was composed by John Williams, on the recommendation of his friend and colleague Steven Spielberg. Whilst initially wanting to use tracks and film music in a similar manner to 2001: A Space Odyssey, which served as the inspiration for the film, Williams advised against this and instead proposed a system of recurring themes (or leitmotifs) to enhance the story in the style of classical composers Gustav Holst, William Walton, and Igor Stravinsky; works that Lucas had used as "temp tracks" for Williams to gain inspiration from. The film, and subsequent sequels and prequels, make use of the Main Title Theme, the Force Theme (less commonly referred to as Obi Wan Kenobi's Theme), the Rebel Alliance Theme and Princess Leia's Theme (all introduced in this film) repeatedly. Subsequent films also added to the catalog of themes for different characters, factions, and locations.

The score was released to critical acclaim and won Williams his third Academy Award for Best Original Score. The score was listed by the American Film Institute in 2005 as the greatest film score of all time. The professional relationship formed by Lucas and Williams extended through to Williams working on all of Lucas's blockbuster franchise movies: the remaining two films of the Star Wars original trilogy; all three films of prequel trilogy developed over fifteen years later; and the five films of the Indiana Jones franchise, in which Williams reunited with his long-time collaborator Spielberg. In his collaborations with Lucas, Williams received six of his fifty-two Academy Award nominations (Star Wars, The Empire Strikes Back, Return of the Jedi, Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, and Indiana Jones and the Last Crusade). After Lucas sold Lucasfilm to Disney, Williams stayed on board with the franchise, and continued to score the remaining three films of the "Skywalker Saga" (The Force Awakens, The Last Jedi, and The Rise of Skywalker, for which he received a further three Oscar nominations), after which he announced his "retirement" from the series.

Lucas was in attendance for a ceremony honoring Williams as the 44th recipient of the AFI Life Achievement Award, the first composer to receive the honor, and gave a speech in praise of their relationship and his work. In interviews, and most famously at the 40th Anniversary Star Wars Celebration convention, Lucas has repeatedly reaffirmed the importance of Williams to the Star Wars saga, affectionately referring to him as the "secret sauce" of his movies.

Lucas is the wealthiest film celebrity in the world. His personal net worth is estimated to be $5.1 billion, making him one of the richest people in the entertainment industry. Lucas has pledged to give half of his fortune to charity as part of an effort called The Giving Pledge led by Bill Gates and Warren Buffett to persuade America's richest individuals to donate their financial wealth to charities.

In 1991, The George Lucas Educational Foundation was founded as a nonprofit operating foundation to celebrate and encourage innovation in schools. The foundation's content is available under the brand Edutopia, in an award-winning web site, social media and via documentary films. Lucas, through his foundation, was one of the leading proponents of the E-Rate program in the universal service fund, which was enacted as part of the Telecommunications Act of 1996. On June 24, 2008, Lucas testified before the United States House of Representatives subcommittee on Telecommunications and the Internet as the head of his Foundation to advocate for a free wireless broadband educational network.

In 2012, Lucas sold Lucasfilm to the Walt Disney Company for a reported sum of $4.05 billion. It was widely reported at the time that Lucas intended to give the majority of the proceeds from the sale to charity. A spokesperson for Lucasfilm said: "George Lucas has expressed his intention, in the event the deal closes, to donate the majority of the proceeds to his philanthropic endeavors." Lucas also spoke on the matter: "For 41 years, the majority of my time and money has been put into the company. As I start a new chapter in my life, it is gratifying that I have the opportunity to devote more time and resources to philanthropy."

In 2005, Lucas gave $1 million to help build the Martin Luther King Jr. Memorial on the National Mall in Washington, D.C., to commemorate American civil rights leader Martin Luther King Jr.

On September 19, 2006, the University of Southern California announced that Lucas had donated $175–180 million to his alma mater to expand the film school. It is the largest single donation to U.S.C. and the largest gift to a film school anywhere. Previous donations led to the already-existing George Lucas Instructional Building and Marcia Lucas Post-Production building.

In 1969, Lucas married film editor Marcia Lou Griffin, who went on to win an Academy Award for her editing work on the original Star Wars film. They adopted a daughter, Amanda Lucas, in 1981, and divorced in 1983. Lucas subsequently adopted two more children as a single parent: daughter Katie Lucas, born in 1988, and son Jett Lucas, born in 1993. His three eldest children all appeared in the three Star Wars prequels, as did Lucas himself. Following his divorce, Lucas was in a relationship with singer Linda Ronstadt in the 1980s.

Lucas began dating Mellody Hobson, president of Ariel Investments and chairwoman of Starbucks, in 2006, after meeting in 2005 at a business conference. She formerly served as chairwoman at DreamWorks Animation. Lucas and Hobson announced their engagement in January 2013, and married on June 22, 2013, at Lucas's Skywalker Ranch in Marin County, California. They have one daughter together, born via surrogate in August 2013.

In 1977, Lucas was awarded the Inkpot Award.

The American Film Institute awarded Lucas its Life Achievement Award on June 9, 2005. This was shortly after the release of Star Wars: Episode III – Revenge of the Sith, about which he joked stating that, since he views the entire Star Wars series as one film, he could actually receive the award now that he had finally "gone back and finished the movie".

Lucas was nominated for four Academy Awards: Best Directing and Writing for American Graffiti and Star Wars. He received the academy's Irving G. Thalberg Award in 1991. He appeared at the 79th Academy Awards ceremony in 2007 with Steven Spielberg and Francis Ford Coppola to present the Best Director award to their friend Martin Scorsese. During the speech, Spielberg and Coppola talked about the joy of winning an Oscar, making fun of Lucas, who has not won a competitive Oscar.

The Science Fiction Hall of Fame inducted Lucas in 2006, its second "Film, Television, and Media" contributor, after Spielberg. The Discovery Channel named him one of the 100 "Greatest Americans" in September 2008. Lucas served as Grand Marshal for the Tournament of Roses Parade and made the ceremonial coin toss at the Rose Bowl, New Year's Day 2007. In 2009, he was one of 13 California Hall of Fame inductees in The California Museum's yearlong exhibit.

In July 2013, Lucas was awarded the National Medal of Arts by President Barack Obama for his contributions to American cinema. In October 2014, Lucas received Honorary Membership of the Society of Motion Picture and Television Engineers.