Enid Blyton

Enid Mary Blyton (11 August 1897 – 28 November 1968) was an English children's writer. She is one of the best-selling writers of all time in the realm of children's literature. Blyton's books have been worldwide best-sellers since the 1930s, selling more than 600 million copies, and have been translated into ninety languages. As of June 2019, Blyton was the fourth-most translated author. She wrote on a wide range of topics, including education, natural history, fantasy, mystery, and biblical narratives. She is best remembered for her Noddy, The Famous Five, The Secret Seven, The Five Find-Outers, and Malory Towers books, although she also wrote many others, including St. Clare's, The Naughtiest Girl, and The Faraway Tree series.

Her first book, Child Whispers, a 24-page collection of poems, was published in 1922. Following the commercial success of her early novels, such as Adventures of the Wishing-Chair (1937) and The Enchanted Wood (1939), Blyton went on to build a literary empire, sometimes producing fifty books a year in addition to her prolific magazine and newspaper contributions. Her writing was unplanned and sprang largely from her unconscious mind; she typed her stories as events unfolded before her. The sheer volume of her work and the speed with which she produced it led to rumours that Blyton employed an army of ghost writers, a charge she vehemently denied.

Blyton's work became increasingly controversial among literary critics, teachers, and parents beginning in the 1950s due to the alleged unchallenging nature of her writing and her themes, particularly in the Noddy series. Some libraries and schools banned her works, and from the 1930s until the 1950s, the BBC refused to broadcast her stories because of their perceived lack of literary merit. Her books have been criticised as elitist, sexist, racist, xenophobic, and at odds with the more progressive environment that was emerging in post-World War II Britain, but updated versions of her books have continued to be popular since her death in 1968.

She felt she had a responsibility to provide her readers with a strong moral framework, so she encouraged them to support worthy causes. In particular, through the clubs she set up or supported, she encouraged and organised them to raise funds for animal and paediatric charities. The story of Blyton's life was dramatised in Enid, a BBC television film featuring Helena Bonham Carter in the title role. It was first broadcast in the U.K. on BBC Four in 2009.

Enid Blyton was born on 11 August 1897 in East Dulwich, south London, United Kingdom, the only daughter and eldest of three children, to Thomas Carey Blyton, a cutlery salesman (recorded in the 1911 census with the occupation of "Mantle Manufacturer dealer [in] women's suits, skirts, etc.") and his wife Theresa Mary (née Harrison). Enid's younger brothers, Hanly and Carey, were born after the family had moved to a semi-detached house in Beckenham, then a village in Kent. A few months after her birth, Enid almost died from whooping cough but was nursed back to health by her father, whom she adored. Thomas Blyton ignited Enid's interest in nature; in her autobiography she wrote that he "loved flowers and birds and wild animals, and knew more about them than anyone I had ever met". He also passed on his interest in gardening, painting, music, literature, and theatre, and the pair often went on nature walks, much to the disapproval of Enid's mother, who showed little interest in her daughter's pursuits.

Enid was devastated when her father left the family shortly after her 13th birthday to live with another woman, with whom he had more children. Enid and her mother did not have a good relationship; in fact Enid despised her mother so much that after she left home, she never saw her mother again and she gave people the impression that her mother was dead. Enid did not attend either of her parents' funerals.

From 1907 to 1915, Blyton attended St Christopher's School in Beckenham, where she enjoyed physical activities and became school tennis champion and lacrosse captain. She was not keen on all the academic subjects but excelled in writing and, in 1911, entered Arthur Mee's children's poetry competition. Mee offered to print her verses, encouraging her to produce more. Blyton's mother considered her efforts at writing to be a "waste of time and money", but she was encouraged to persevere by Mabel Attenborough, the aunt of school friend Mary Potter.

Blyton's father taught her to play the piano, which she mastered well enough for him to believe she might follow in his sister May's footsteps and become a professional musician. Blyton considered enrolling at the Guildhall School of Music, but decided she was better suited to becoming a writer. After finishing school, in 1915, as head girl, she moved out of the family home to live with her friend Mary Attenborough, before going to stay with George and Emily Hunt at Seckford Hall, near Woodbridge, in Suffolk. Seckford Hall, with its allegedly haunted room and secret passageway, provided inspiration for her later writing. At Woodbridge Congregational Church, Blyton met Ida Hunt, who taught at Ipswich High School and suggested she train there as a teacher. Blyton was introduced to the children at the nursery school and, recognising her natural affinity with them, enrolled in a National Froebel Union teacher training course at the school in September 1916. By this time, she had nearly terminated all contact with her family.

Blyton's manuscripts were rejected by publishers on many occasions, which only made her more determined to succeed, saying, "It is partly the struggle that helps you so much, that gives you determination, character, self-reliance –all things that help in any profession or trade, and most certainly in writing." In March 1916, her first poems were published in Nash's Magazine. She completed her teacher training course in December 1918 and, the following month, obtained a teaching appointment at Bickley Park School, a small, independent establishment for boys in Bickley in Bromley, Kent. Two months later, Blyton received a teaching certificate with distinctions in zoology and principles of education; first class in botany, geography, practice and history of education, child hygiene, and classroom teaching; and second class in literature and elementary mathematics. In 1920, she moved to Southernhay, in Hook Road Surbiton, as nursery governess to the four sons of architect Horace Thompson and his wife Gertrude, with whom Blyton spent four happy years. With the shortage of area schools, neighbouring children soon joined her charges, and a small school developed at the house.

In 1920, Blyton moved to Chessington in Surrey and began writing in her spare time. The following year, she won the Saturday Westminster Review writing competition with her essay "On the Popular Fallacy that to the Pure All Things Are Pure". Publications such as The Londoner, Home Weekly and The Bystander began to show an interest in her short stories and poems.

Blyton's first book, Child Whispers, a 24-page collection of poems, was published in 1922. Its illustrator, Enid's schoolfriend Phyllis Chase collaborated on several of her early works. Also in that year, Blyton began writing in annuals for Cassell and George Newnes, and her first piece of writing, "Peronel and his Pot of Glue", was accepted for publication in Teachers' World. Further boosting her success, in 1923, her poems appeared alongside those of Rudyard Kipling, Walter de la Mare, and G. K. Chesterton in a special issue of Teachers' World. Blyton's educational texts were influential in the 1920s and 1930s, with her most sizable being the three-volume The Teacher's Treasury (1926), the six-volume Modern Teaching (1928), the eight-volume Pictorial Knowledge (1930), and the four-volume Modern Teaching in the Infant School (1932).

In July 1923, Blyton published Real Fairies, a collection of thirty-three poems written especially for the book with the exception of "Pretending", which had appeared earlier in Punch magazine. The following year, she published The Enid Blyton Book of Fairies, illustrated by Horace J. Knowles, and in 1926 the Book of Brownies. Several books of plays appeared in 1927, including A Book of Little Plays and The Play's the Thing with the illustrator Alfred Bestall.

In the 1930s, Blyton developed an interest in writing stories related to various myths, including those of ancient Greece and Rome; The Knights of the Round Table, Tales of Ancient Greece and Tales of Robin Hood were published in 1930. In Tales of Ancient Greece Blyton retold 16 well-known ancient Greek myths, but used Latin rather than Greek names and invented conversations between characters. The Adventures of Odysseus, Tales of the Ancient Greeks and Persians and Tales of the Romans followed in 1934.

The first of twenty-eight books in Blyton's Old Thatch series, The Talking Teapot and Other Tales, was published in 1934, the same year as Brer Rabbit Retold; (Brer Rabbit originally featured in Uncle Remus stories by Joel Chandler Harris), her first serial story and first full-length book, Adventures of the Wishing-Chair, followed in 1937. The Enchanted Wood, the first book in the Faraway Tree series, published in 1939, is about a magic tree inspired by the Norse mythology that had fascinated Blyton as a child. According to Blyton's daughter Gillian, the inspiration for the magic tree came from "thinking up a story one day, and suddenly she was walking in the enchanted wood and found the tree. In her imagination, she climbed up through the branches and met Moon-Face, Silky, the Saucepan Man and the rest of the characters. She had all she needed." As in the Wishing-Chair series, these fantasy books typically involve children being transported into a magical world in which they meet fairies, goblins, elves, pixies and other mythological creatures.

Blyton's first full-length adventure novel, The Secret Island, was published in 1938, featuring the characters of Jack, Mike, Peggy and Nora. Described by The Glasgow Herald as a "Robinson Crusoe-style adventure on an island in an English lake", The Secret Island was a lifelong favourite of Gillian's and spawned the Secret series. The following year Blyton released her first book in the Circus series and her initial book in the Amelia Jane series, Naughty Amelia Jane! According to Gillian, the main character was based on a large handmade doll given to her by her mother on her third birthday.

During the 1940s, Blyton became a prolific author, her success enhanced by her "marketing, publicity and branding that was far ahead of its time". In 1940, Blyton published two books – Three Boys and a Circus and Children of Kidillin – under the pseudonym of Mary Pollock (middle name plus first married name), in addition to the eleven published under her name that year. So popular were Pollock's books that one reviewer was prompted to observe that "Enid Blyton had better look to her laurels". But Blyton's readers were not so easily deceived and many complained about the subterfuge to her and her publisher, with the result that all six books published under the name of Mary Pollock – two in 1940 and four in 1943 – were reissued under Blyton's name. Later in 1940, Blyton published the first of her boarding school story books and the first novel in the Naughtiest Girl series, The Naughtiest Girl in the School, which followed the exploits of the mischievous schoolgirl Elizabeth Allen at the fictional Whyteleafe School. The first of her six novels in the St. Clare's series, The Twins at St. Clare's, appeared the following year, featuring the twin sisters Patricia and Isabel O'Sullivan.

In 1942, Blyton released the first book in the Mary Mouse series, Mary Mouse and the Dolls' House, about a mouse exiled from her mousehole who becomes a maid at a dolls' house. Twenty-three books in the series were produced between 1942 and 1964; 10,000 copies were sold in 1942 alone. The same year, Blyton published the first novel in the Famous Five series, Five on a Treasure Island, with illustrations by Eileen Soper. Its popularity resulted in twenty-one books between then and 1963, and the characters of Julian, Dick, Anne, George (Georgina) and Timmy the dog became household names in Britain. Matthew Grenby, author of Children's Literature, states that the five were involved with "unmasking hardened villains and solving serious crimes", although the novels were "hardly 'hard-boiled' thrillers". Blyton based the character of Georgina, a tomboy she described as "short-haired, freckled, sturdy, and snub-nosed" and "bold and daring, hot-tempered and loyal", on herself.

Blyton had an interest in biblical narratives and retold Old and New Testament stories. The Land of Far-Beyond (1942) is a Christian parable along the lines of John Bunyan's The Pilgrim's Progress (1698), with contemporary children as the main characters. In 1943, she published The Children's Life of Christ, a collection of fifty-nine short stories related to the life of Jesus, with her slant on popular biblical stories, from the Nativity and the Three Wise Men through to the trial, the crucifixion and the resurrection. Tales from the Bible was published the following year, followed by The Boy with the Loaves and Fishes in 1948.

The first book in Blyton's Barney Mysteries series, The Rockingdown Mystery, was published in 1949, as was the first of her fifteen novels in The Secret Seven series. The Secret Seven Society consists of Peter, his sister Janet, and their friends Colin, George, Jack, Pam and Barbara, who meet regularly in a shed in the garden to discuss peculiar events in their local community. Blyton rewrote the stories so they could be adapted into cartoons, which appeared in Mickey Mouse Weekly in 1951 with illustrations by George Brook. The French author Evelyne Lallemand continued the series in the 1970s, producing an additional twelve books, nine of which were translated into English by Anthea Bell between 1983 and 1987.

Blyton's Noddy, about a little wooden boy from Toyland, first appeared in the Sunday Graphic on 5 June 1949, and in November that year Noddy Goes to Toyland, the first of at least two dozen books in the series, was published. The idea was conceived by one of Blyton's publishers, Sampson, Low, Marston and Company, who in 1949 arranged a meeting between Blyton and the Dutch illustrator Harmsen van der Beek. Despite having to communicate via an interpreter, he provided some initial sketches of how Toyland and its characters would be represented. Four days after the meeting, Blyton sent the text of the first two Noddy books to her publisher, to be forwarded to van der Beek. The Noddy books became one of her most successful and best-known series, and were hugely popular in the 1950s. An extensive range of sub-series, spin-offs and strip books was produced throughout the decade, including Noddy's Library, Noddy's Garage of Books, Noddy's Castle of Books, Noddy's Toy Station of Books and Noddy's Shop of Books.

In 1950, Blyton established the company Darrell Waters Ltd to manage her affairs. By the early 1950s, she had reached the peak of her output, often publishing more than fifty books a year, and she remained extremely prolific throughout much of the decade. By 1955, Blyton had written her fourteenth Famous Five novel, Five Have Plenty of Fun, her fifteenth Mary Mouse book, Mary Mouse in Nursery Rhyme Land, her eighth book in the Adventure series, The River of Adventure, and her seventh Secret Seven novel, Secret Seven Win Through. She completed the sixth and final book of the Malory Towers series, Last Term at Malory Towers, in 1951.

Blyton published several further books featuring the character of Scamp the terrier, following on from The Adventures of Scamp, a novel she had released in 1943 under the nom de plume of Mary Pollock. Scamp Goes on Holiday (1952) and Scamp and Bimbo, Scamp at School, Scamp and Caroline and Scamp Goes to the Zoo (1954) were illustrated by Pierre Probst. She introduced the character of Bom, a stylish toy drummer dressed in a bright red coat and helmet, alongside Noddy in TV Comic in July 1956. A book series began the same year with Bom the Little Toy Drummer, featuring illustrations by R. Paul-Hoye, and followed with Bom and His Magic Drumstick (1957), Bom Goes Adventuring and Bom Goes to Ho Ho Village (1958), Bom and the Clown and Bom and the Rainbow (1959) and Bom Goes to Magic Town (1960). In 1958, she produced two annuals featuring the character, the first of which included twenty short stories, poems and picture strips.

Many of Blyton's series, including Noddy and The Famous Five, continued to be successful in the 1960s; by 1962, 26 million copies of Noddy had been sold. Blyton concluded several of her long-running series in 1963, publishing the last books of The Famous Five (Five Are Together Again) and The Secret Seven (Fun for the Secret Seven); she also produced three more Brer Rabbit books with the illustrator Grace Lodge: Brer Rabbit Again, Brer Rabbit Book, and Brer Rabbit's a Rascal. In 1962, many of her books were among the first to be published by Armada Books in paperback, making them more affordable to children.

After 1963, Blyton's output was generally confined to short stories and books intended for very young readers, such as Learn to Count with Noddy and Learn to Tell Time with Noddy in 1965, and Stories for Bedtime and the Sunshine Picture Story Book collection in 1966. Her declining health and a falling off in readership among older children have been put forward as the principal reasons for this change in trend. Blyton published her last book in the Noddy series, Noddy and the Aeroplane, in February 1964. In May of the following year, she published Mixed Bag, a songbook with music written by her nephew Carey, and in August she released her last full-length books, The Man Who Stopped to Help and The Boy Who Came Back.

Blyton cemented her reputation as a children's writer when in 1926 she took over the editing of Sunny Stories, a magazine that typically included the re-telling of legends, myths, stories and other articles for children. That same year, she was given her own column in Teachers' World, entitled "From my Window". Three years later, she began contributing a weekly page in the magazine, in which she published letters from her Fox Terrier dog Bobs. They proved to be so popular that in 1933 they were published in book form as Letters from Bobs, and sold ten thousand copies in the first week. Her most popular feature was "Round the Year with Enid Blyton", which consisted of forty-eight articles covering aspects of natural history such as weather, pond life, how to plant a school garden and how to make a bird table. Among Blyton's other nature projects was her monthly "Country Letter" feature that appeared in The Nature Lover magazine in 1935.

Sunny Stories was renamed Enid Blyton's Sunny Stories in January 1937, and served as a vehicle for the serialisation of Blyton's books. Her first Naughty Amelia Jane story, about an anti-heroine based on a doll owned by her daughter Gillian, was published in the magazine. Blyton stopped contributing in 1952, and it closed down the following year, shortly before the appearance of the new fortnightly Enid Blyton Magazine written entirely by Blyton. The first edition appeared on 18 March 1953, and the magazine ran until September 1959.

Noddy made his first appearance in the Sunday Graphic in 1949, the same year as Blyton's first daily Noddy strip for the London Evening Standard. It was illustrated by van der Beek until his death in 1953.

Blyton worked in a wide range of fictional genres, from fairy tales to animal, nature, detective, mystery, and circus stories, but she often "blurred the boundaries" in her books, and encompassed a range of genres even in her short stories. In a 1958 article published in The Author, she wrote that there were a "dozen or more different types of stories for children", and she had tried them all, but her favourites were those with a family at their centre.

In a letter to the psychologist Peter McKellar, Blyton describes her writing technique:

I shut my eyes for a few minutes, with my portable typewriter on my knee – I make my mind a blank and wait – and then, as clearly as I would see real children, my characters stand before me in my mind's eye ... The first sentence comes straight into my mind, I don't have to think of it – I don't have to think of anything.

In another letter to McKellar, she describes how in just five days she wrote the 60,000-word book The River of Adventure, the eighth in her Adventure Series, by listening to what she referred to as her "under-mind", which she contrasted with her "upper conscious mind". Blyton was unwilling to conduct any research or planning before beginning work on a new book, which—coupled with the lack of variety in her life, according to Druce—almost inevitably presented the danger that she might unconsciously, and did, plagiarise the books she had read, including her own. Gillian has recalled that her mother "never knew where her stories came from", but that she used to talk about them "coming from her 'mind's eye'", as did William Wordsworth and Charles Dickens. Blyton had "thought it was made up of every experience she'd ever had, everything she's seen or heard or read, much of which had long disappeared from her conscious memory" but never knew the direction her stories would take. Blyton further explained in her biography that "If I tried to think out or invent the whole book, I could not do it. For one thing, it would bore me and for another, it would lack the 'verve' and the extraordinary touches and surprising ideas that flood out from my imagination."

Blyton's daily routine varied little over the years. She usually began writing soon after breakfast, with her portable typewriter on her knee and her favourite red Moroccan shawl nearby; she believed that the colour red acted as a "mental stimulus" for her. Stopping only for a short lunch break, she continued writing until five o'clock, by which time she would usually have produced 6,000 to 10,000 words.

Blyton felt a responsibility to provide her readers with a positive moral framework, and she encouraged them to support worthy causes. Her view, expressed in a 1957 article, was that children should help animals and other children rather than adults:

[children] are not interested in helping adults; indeed, they think that adults themselves should tackle adult needs. But they are intensely interested in animals and other children and feel compassion for the blind boys and girls, and for the spastics who are unable to walk or talk.

Blyton and the members of the children's clubs she promoted via her magazines raised a great deal of money for various charities; according to Blyton, membership of her clubs meant "working for others, for no reward". The largest of the clubs she was involved with was the Busy Bees, the junior section of the People's Dispensary for Sick Animals, which Blyton had actively supported since 1933. The club had been set up by Maria Dickin in 1934, and after Blyton publicised its existence in the Enid Blyton Magazine, it attracted 100,000 members in three years. Such was Blyton's popularity among children that after she became Queen Bee in 1952, more than 20,000 additional members were recruited in her first year in office. The Enid Blyton Magazine Club was formed in 1953. Its primary objective was to raise funds to help those children with cerebral palsy who attended a centre in Cheyne Walk, in Chelsea, London, by furnishing an on-site hostel among other things.

The Famous Five series gathered such a following that readers asked Blyton if they might form a fan club. She agreed, on condition that it serves a useful purpose, and suggested that it could raise funds for the Shaftesbury Society Babies' Home in Beaconsfield, on whose committee she had served since 1948. The club was established in 1952, and provided funds for equipping a Famous Five Ward at the home, a paddling pool, sun room, summer house, playground, birthday and Christmas celebrations, and visits to the pantomime. By the late 1950s, Blyton's clubs had a membership of 500,000, and raised £35,000 (roughly equivalent to £758,000 in 2025) in the six years of the Enid Blyton Magazine's run.

By 1974, the Famous Five Club had a membership of 220,000 and was growing at the rate of 6,000 new members a year. The Beaconsfield home that was set up to support was closed in 1967, but the club continued to raise funds for other paediatric charities, including an Enid Blyton bed at Great Ormond Street Hospital and a mini-bus for disabled children at Stoke Mandeville Hospital.

Blyton capitalised upon her commercial success as an author by negotiating agreements with jigsaw puzzle and games manufacturers from the late 1940s onwards; by the early 1960s, some 146 different companies were involved in merchandising Noddy alone. In 1948, Bestime released four jigsaw puzzles featuring her characters, and the first Enid Blyton board game appeared, Journey Through Fairyland, created by BGL. The first card game, Faraway Tree, appeared from Pepys in 1950. In 1954, Bestime released the first four jigsaw puzzles of the Secret Seven, and the following year a Secret Seven card game appeared.

Bestime released the Little Noddy Car Game in 1953 and the Little Noddy Leap Frog Game in 1955, and in 1956 American manufacturer Parker Brothers released Little Noddy's Taxi Game, a board game which features Noddy driving about town, picking up various characters. Bestime released its Plywood Noddy Jigsaws series in 1957 and a Noddy jigsaw series featuring cards appeared from 1963, with illustrations by Robert Lee. Arrow Games became the chief producer of Noddy jigsaws in the late 1970s and early 1980s. Whitman manufactured four new Secret Seven jigsaw puzzles in 1975 and produced four new Malory Towers ones two years later. In 1979, the company released a Famous Five adventure board game, the Famous Five Kirrin Island Treasure. Stephen Thraves wrote eight Famous Five adventure game books, published by Hodder & Stoughton in the 1980s. The first adventure game book of the series, The Wreckers' Tower Game, was published in October 1984.

On 28 August 1924, Blyton married Major Hugh Alexander Pollock at Bromley Register Office, without inviting her family. They married shortly after his divorce from his first wife, with whom he had two sons, one of them already deceased. Pollock was an editor of the book department in the publishing firm George Newnes, which became Blyton's regular publisher. It was he who requested her to write a book about animals, resulting in The Zoo Book, completed in the month before their marriage. They initially lived in a flat in Chelsea before moving to Elfin Cottage in Beckenham in 1926, and then to Old Thatch in Bourne End (called Peterswood in her books) in 1929. Blyton's first daughter, Gillian, was born on 15 July 1931, and after a miscarriage in 1934, she gave birth to a second daughter, Imogen, on 27 October 1935.

In 1938, she and her family moved to a house in Beaconsfield, named Green Hedges by Blyton's readers, following a competition in her magazine. By the mid-1930s, Pollock had become a secret alcoholic, withdrawing increasingly from public life—possibly triggered through his meetings, as a publisher, with Winston Churchill, which may have reawakened the trauma Pollock suffered during World War I. With the outbreak of World War II, he became involved in the Home Guard and also re-encountered Ida Crowe, an aspiring writer nineteen years his junior, whom he had first met years earlier. He made her an offer to join him as a secretary in his posting to a Home Guard training centre at Denbies, a Gothic mansion in Surrey belonging to Lord Ashcombe, and they began a romantic relationship.