Alexandre Dumas

Alexandre Dumas (born Alexandre Davy de la Pailleterie; 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père, was a French novelist and playwright.

His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After and The Vicomte of Bragelonne: Ten Years Later. He also wrote many plays and, since the early 20th century, many of his novels have been adapted into films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris.

His father, General Thomas-Alexandre Dumas, né Davy de la Pailleterie, was born in the French colony of Saint-Domingue (present-day Haiti) to Alexandre Antoine Davy de la Pailleterie, a French nobleman, and Marie-Cessette Dumas, an African slave. At age 14, Thomas-Alexandre was taken by his father to France, where he was given his freedom, educated in a military academy, and entered the military for what became an illustrious career.

Alexandre acquired work with Louis-Philippe, Duke of Orléans, then as a writer, a career that led to his early success. Decades later, after the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favour and left France for Belgium, where he stayed for several years. He moved to Russia for a few years and then to Italy. In 1861, he founded and published the newspaper L'Indépendant, which supported Italian unification. He returned to Paris in 1864.

English playwright Watts Phillips, who knew Dumas in his later life, described him as "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill—once set in motion, you would never know when he would stop, especially if the theme was himself."

Alexandre Davy de la Pailleterie (later known as Alexandre Dumas) was born in 1802 in Villers-Cotterêts in the department of Aisne, in Picardy, France. He had two older sisters, Marie-Alexandrine (born 1794) and Louise-Alexandrine (1796–1797). Their parents were Marie-Louise Élisabeth Labouret, the daughter of an innkeeper, and Thomas-Alexandre Dumas.

Thomas-Alexandre was born in the French colony of Saint-Domingue (now Haiti), the mixed-race, natural son of the Marquis Alexandre Antoine Davy de la Pailleterie (Antoine), a French nobleman and général commissaire in the artillery of the colony, and Marie-Cessette Dumas, an enslaved woman of Afro-Caribbean ancestry. The two extant primary documents that state a racial identity for Marie-Cessette Dumas refer to her as a "négresse" (a black woman) as opposed to a "mulâtresse" (a woman of visible mixed race). It is unknown whether Marie-Cessette was born in Saint-Domingue or in Africa, nor is it known from which African people she had ancestry. What is known is that, sometime after becoming estranged from his brothers, Antoine purchased Marie-Cessette and her daughter from a previous relationship for "an exorbitant amount" and made Marie-Cessette his concubine. Thomas-Alexandre was the only son born to them, but they had two or three daughters.

While working for Louis-Philippe, Alexandre Dumas began writing articles for magazines and plays for the theatre. As an adult, he used the surname of Dumas, as his father had done as an adult. His first play, Henry III and His Court, produced in 1829 when he was 27 years old, met with acclaim. His second play, Christine, was equally popular the next year. These successes gave him sufficient income to write full-time.

In 1830, Dumas participated in the Revolution that ousted Charles X and replaced him with Dumas's former employer, the Duke of Orléans, who ruled as Louis-Philippe, the Citizen King. Until the mid-1830s, life in France remained unsettled, with sporadic riots by disgruntled Republicans and impoverished urban workers seeking change. As life slowly returned to normal, the nation began to industrialize. An improving economy combined with the end of press censorship made the times rewarding for Alexandre Dumas's literary skills.

After writing additional successful plays, Dumas switched to writing novels. Although attracted to an extravagant lifestyle and always spending more than he earned, Dumas proved to be an astute marketing strategist and writer. As newspapers were publishing many serial novels, he began producing these. His first serial novel was La Comtesse de Salisbury; Édouard III (July–September 1836). In 1838, Dumas rewrote one of his plays as a successful serial historical novel, Le Capitaine Paul ('Captain Paul'), partly based on the life of the Scottish-American naval officer John Paul Jones.

He founded a production studio, staffed with writers who turned out hundreds of stories, all subject to his personal direction, editing, and additions. From 1839 to 1841, Dumas, with the assistance of several friends, compiled Celebrated Crimes, an eight-volume collection of essays on famous criminals and crimes from European history. He featured Beatrice Cenci, Martin Guerre, Cesare and Lucrezia Borgia, as well as more recent events and criminals, including the cases of the alleged murderers Karl Ludwig Sand and Antoine François Desrues, who were executed. Dumas collaborated with Augustin Grisier, his fencing master, in his 1840 novel, The Fencing Master. The story is written as Grisier's account of how he came to witness the events of the Decembrist revolt in Russia. The novel was eventually banned in Russia by Czar Nicholas I, and Dumas was prohibited from visiting the country until after the Czar's death. Dumas refers to Grisier with great respect in The Count of Monte Cristo, The Corsican Brothers, and in his memoirs.

Dumas depended on numerous assistants and collaborators, of whom Auguste Maquet was the best known. It was not until the late twentieth century that his role was fully understood. Dumas wrote the short novel Georges (1843), which uses ideas and plots later repeated in The Count of Monte Cristo. Maquet took Dumas to court to get authorial recognition and a higher payment rate for his work. He was successful in getting more money, but not a by-line.

On 1 February 1840, Dumas married actress Ida Ferrier (born Marguerite-Joséphine Ferrand) (1811–1859). They did not have any children together.

Dumas had numerous liaisons with other women; the scholar Claude Schopp lists nearly 40 mistresses. He is known to have fathered at least four children by them:

On 5 December 1870, Dumas died at the age of 68 of natural causes, possibly a heart attack. He was buried at his birthplace of Villers-Cotterêts in the department of Aisne. His death was overshadowed by the Franco-Prussian War. Changing literary fashions decreased his popularity. In the late 20th century, scholars such as Reginald Hamel and Claude Schopp caused a critical reappraisal and new appreciation of his art, as well as finding lost works.

In 1970, upon the centenary of his death, the Paris Metro named a station in his honour. His country home outside Paris, the Château de Monte-Cristo, has been restored and is open to the public as a museum.

Researchers have continued to find Dumas works in archives, including the five-act play The Gold Thieves, found in 2002 by the scholar Réginald Hamel in the Bibliothèque Nationale de France. It was published in France in 2004 by Honoré-Champion.

Frank Wild Reed (1874–1953), a New Zealand pharmacist who never visited France, amassed the greatest collection of books and manuscripts relating to Dumas outside France. The collection contains about 3,350 volumes, including some 2,000 sheets in Dumas's handwriting and dozens of French, Belgian and English first editions. The collection was donated to Auckland Libraries after his death. Reed wrote the most comprehensive bibliography of Dumas.

In 2002, for the bicentenary of Dumas's birth, French President Jacques Chirac held a ceremony honouring the author by having his ashes re-interred at the mausoleum of the Panthéon, where many French luminaries were buried. When Chirac ordered the transfer to the mausoleum, villagers in Dumas's hometown of Villers-Cotterets were initially opposed, arguing that Dumas laid out in his memoirs that he wanted to be buried there. The village eventually bowed to the government's decision, and Dumas's body was exhumed from its cemetery and put into a new coffin in preparation for the transfer. The proceedings were televised: the new coffin was draped in a blue velvet cloth and carried on a caisson flanked by four mounted Republican Guards costumed as the four Musketeers. It was transported through Paris to the Panthéon. In his speech, Chirac said:

Acté of Corinth; or, The convert of St. Paul. a tale of Greece and Rome. (1839), a novel about Rome, Nero, and early Christianity.

Alexandre Dumas wrote many stories and historical chronicles of adventure. They included the following:

The Countess of Salisbury (La Comtesse de Salisbury; Édouard III, 1836), his first serial novel published in volume in 1839.

Captain Pamphile (Le Capitaine Pamphile, 1839)

The Fencing Master (Le Maître d'armes, 1840)

Castle Eppstein; The Spectre Mother (Chateau d'Eppstein; Albine, 1843)

The Nutcracker (Histoire d'un casse-noisette, 1844): a revision of Hoffmann's story The Nutcracker and the Mouse King, later set by composer Pyotr Ilyich Tchaikovsky to music for a ballet also called The Nutcracker.

The Pale Lady (La Dame Pȃle, 1849) A vampire tale about a Polish woman who is adored by two very different brothers.

The Wolf Leader (Le Meneur de loups, 1857). One of the first werewolf novels ever written.

In addition, Dumas wrote many series of novels:

The Count of Monte Cristo (Le Comte de Monte-Cristo, 1844–46)

The Conspirators (Le chevalier d'Harmental, 1843) adapted by Paul Ferrier for an 1896 opéra comique by Messager.

The Regent's Daughter (Une Fille du régent, 1845). Sequel to The Conspirators.

The Three Musketeers (Les Trois Mousquetaires, 1844)

Twenty Years After (Vingt ans après, 1845)

The Vicomte de Bragelonne, sometimes called Ten Years Later (Le Vicomte de Bragelonne, ou Dix ans plus tard, 1847). When published in English, it was usually split into three parts: The Vicomte de Bragelonne (sometimes called Between Two Kings), Louise de la Valliere, and The Man in the Iron Mask, of which the last part is the best known.

Louis XIV and His Century (Louis XIV et son siècle, 1844)

The Women's War (La Guerre des Femmes, 1845): follows Baron des Canolles, a naïve Gascon soldier who falls in love with two women.

The Dove – the court of Louis XIII, revolving around courtly intrigue, romantic loyalty, and a symbolic dove given as a token of love

The Count of Moret; The Red Sphinx; or, Richelieu and His Rivals (Le Comte de Moret; Le Sphinx Rouge, 1865–66) – a prequel to The Dove

The Valois were the royal house of France from 1328 to 1589, and many Dumas romances cover their reign. Traditionally, the so-called "Valois Romances" are the three that portray the Reign of Queen Marguerite, the last of the Valois. Dumas, however, later wrote four more novels that cover this family and portray similar characters, starting with François or Francis I, his son Henry II, and Marguerite and François II, children of Henry II and Catherine de' Medici.

La Reine Margot, also published as Marguerite de Valois (1845)

La Dame de Monsoreau (1846) Published in some English editions as "Chicot the Jester".

The Forty-Five Guardsmen (1847) (Les Quarante-cinq)

Ascanio (1843). Written in collaboration with Paul Meurice, it is a romance of Francis I (1515–1547), but the main character is Italian artist Benvenuto Cellini. The opera Ascanio was based on this novel.

The Marie Antoinette romances comprise eight novels. The unabridged versions (normally 100 chapters or more) comprise only five books (numbers 1, 3, 4, 7 and 8); the short versions (50 chapters or fewer) number eight in total:

Joseph Balsamo (Mémoires d'un médecin: Joseph Balsamo, 1846–48) (a.k.a. Memoirs of a Physician, Cagliostro, Madame Dubarry, The Countess Dubarry, or The Elixir of Life). Joseph Balsamo is about 1,000 pages long, and is usually published in two volumes in English translations: Vol 1. Joseph Balsamo and Vol 2. Memoirs of a Physician. The long unabridged version includes the contents of book two, Andrée de Taverney; the short abridged versions usually are divided in Balsamo and Andrée de Taverney as completely different books.

Andrée de Taverney, or The Mesmerist's Victim

The Queen's Necklace (Le Collier de la Reine, (1849–1850)

Ange Pitou (1853) (a.k.a. Storming the Bastille or Six Years Later). From this book, there are long unabridged versions which include the contents of book five, but there are many short versions that treat "The Hero of the People" as a separated volume.

The Companions of Jehu (Les Compagnons de Jehu, 1857)

The Whites and the Blues (Les Blancs et les Bleus, 1867)

The Knight of Sainte-Hermine (Le Chevalier de Sainte-Hermine, 1869). Dumas's last novel, unfinished at his death, was completed by scholar Claude Schopp and published in 2005. It was published in English in 2008 as The Last Cavalier.

These were a translation of Pierce Egan the Younger's Robin Hood and Little John, originally published in England in 1838.

The Prince of Thieves (Le Prince des voleurs, 1872, posthumously). About Robin Hood (and the inspiration for the 1948 film The Prince of Thieves).

Robin Hood the Outlaw (Robin Hood le proscrit, 1873, posthumously). Sequel to Le Prince des voleurs

Although best known now as a novelist, Dumas first earned fame as a dramatist. His Henri III et sa cour (1829) was the first of the great Romantic historical dramas produced on the Paris stage, preceding Victor Hugo's more famous Hernani (1830). Produced at the Comédie-Française and starring the famous Mademoiselle Mars, Dumas's play was an enormous success and launched him on his career. It had 50 performances over the next year, extraordinary at the time. Dumas's works included:

Christine – Stockholm, Fontainebleau, and Rome (1830)

Napoleon Bonaparte or Thirty Years of the History of France (1831)

Antony (1831) – a drama with a contemporary Byronic hero—is considered the first non-historical Romantic drama. It starred Mars's great rival Marie Dorval.

Charles VII at the Homes of His Great Vassals (Charles VII chez ses grands vassaux, 1831). This drama was adapted by the Russian composer César Cui for his opera The Saracen.

Dumas wrote four original libretti for the Parisian opera stage:

Piquillo (1837), opéra-comique in one act with music by Hippolyte Monpou (1804–1841)

Samson (1856), tableaux bibliques in four acts with music by Gilbert Duprez (1806–1896), with Édouard Duprez (1804–1879)

La Bacchante (1858), opéra-comique in 2 acts with music by Eugène Gautier (1822–1878), with Adolphe de Leuven (1802–1884)

Le roman d'Elvire (1860), opéra-comique in 3 acts with music by Ambroise Thomas (1811–1896), with Adolphe de Leuven

Dumas was a prolific writer of nonfiction. He wrote journal articles on politics and culture and books on French history.

His lengthy Grand Dictionnaire de cuisine (Great Dictionary of Cuisine) was published posthumously in 1873, and several editions of it are still in print today. A combination of encyclopaedia and cookbook, it reflects Dumas's interests as both a gourmet and an expert cook. An abridged version (the Petit Dictionnaire de cuisine, or Small Dictionary of Cuisine) was published in 1883.

He was also known for his travel writing. These books included:

Impressions de voyage: En Suisse (Travel Impressions: In Switzerland, 1834)

Une Année à Florence (A Year in Florence, 1841)

French historian Alain Decaux founded the "Société des Amis d'Alexandre Dumas" (The Society of Friends of Alexandre Dumas) in 1971. As of August 2017 its president is Claude Schopp. The purpose in creating this society was to preserve the Château de Monte-Cristo, where the society is currently located. The other objectives of the Society are to bring together fans of Dumas, to develop cultural activities of the Château de Monte-Cristo, and to collect books, manuscripts, autographs and other materials on Dumas.